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KIADA2022 INTERNATINAL FORUM

Oct. 31, 2022 (Mon),
13:00 ~ 15:00

#207, KINTEX Exhibition Center 1, IIsan

About

Field of discourses for the restoration and appreciation of the disabled dance art ecosystem

Establishment of a foothold for the standardization and promotion of diversity regarding domestic and global disabled dance art

Proposal of a vision to convert values and to construct a paradigm for the disabled dance art

Agenda

Macroscopic Perspective and Microscopic Viewpoint on disabled dance

  • · Guest visitors from the disabled and non-disabled dance artists, critics, and choreographers around the nation and world.
  • · Exploration of the pending issues of the disabled dance on the general social and cultural state, social structure, system, etc.
  • · Sharing various stories from field, and the ways to communicate with the world through the disabled dance as a medium.
  • · Discussion for key issues in opening accessibility to the disabled dance and expending artistic value for disabled dance.
  • · Exploration of practical problems through multi-perspectives and viewpoints on disabled dance.
  • Published Works and Authors

    Emmaly Wiederholt, an American dance journalist serving as a steppingstone for disabled dancers based on her concern on people with uneasy access to dance, together with the dance director Silva Laukkanen, wrote
    『Breadth of Bodies - Discussing Disability in Dance』

  • · One in every four people around the world is a disabled
     
    dancer. Stories inside the scenes of dance activities by
     
    disabled dancers.
  • · Vivid interviews of thirty-five professional dancers from
     
    fifteen countries with different types of disabilities,
     
    various dance genres, and diverse identities are
     
    documented.
  • · The first-person view of dancers with disabilities on
     
    educations, activities, art territory and range, and the
     
    perspective for criticism.
  • · Opportunity to reduce prejudice and misunderstanding
     
    on the disabled dance by looking into what becomes an
     
    artistic inspiration and what produces technical skills.
  •     The Korean translated version is due to be published in December 2022

    #DisabledDance #DisabledDancers #DisabledDanceArt #CriticsOnDisabledDance #Implications #DisabledDanceEducation #DisabledDancePerformance

    From the book of 『Breadth of Bodies - Discussing Disability in Dance』

    “ Disabilities are not familiar to people outside the circle of the disabled dance art like its identity, culture, politics, and aesthetic elements, and critics often fail to recognize or understand the training behind the choreography. ”

    “ For a decade, I’ve been trying to convince numerous investors, critics, and journalists that what we are doing is a dancing, not a treatment. ”

    “ I wanted to take a look at on why, even after 30 years, artistry does not exist in this field and what we can do about it. ”

    “ We should realize that we are physically integrated. Dance, by itself, is a form of art and a form of art is worthy of occupying its own seat in that field. ”

    “ What happened when many people saw the work for the first time was that they were not focused on the disabilities. I do not think the disabilities are separated from the dance and I do not want them to be. ”

    Emmaly Wiederholt

    Dance artist and an art journalist based in New Mexico, the US.

    Majored in Ballet, Political Science, and Arts Journalism and held numerous dance classes and performances for people with disabilities

    -

    • Founder of the American dance journalism organization “Stance on Dance”

    • Published Dancing 50 and Beyond in 2017

    • Published Discussing Disability in Dance in 2022

    Silva Laukkanen

    Taught multiple disabled and non-disabled integrated dance classes and workshops in Finland
    and around Central Texas in the US

    -

    • BA in Dance from North Karelia College, Outokumpu

    • Postgraduate degree in Community Dance from the Trinity Laban Conservatoire of
    Music and Dance, London, UK

    Timetable
    Moderator   Miyoung Kim
    Chief editor, Tanzwith
    13:00 ~ 13:20 Opening
    Address
    Youngmook Choi Director of KIADA Organizing Committee Korea
    Welcome
    Address
    Samjin Kim Artistic Director of KIADA Korea
    13:20 ~ 13:40 Presenter 1 Emmaly Wiederholt Art Journalist, Founder of "Stance on Dance" USA
    Silva Laukkanen Director of integrated dance
    and choreographer at Art Spark Texas
    "Disabillity and Main Current of Dance;
    Breadth of Access"
    USA
    13:40 ~ 14:00 Presenter 2 Jungmin Shim Dance and Historical Critic "The Discourse on the Enhancement of
    Artistic Values of the Disabled Dance
    - On the Basis of the Transformation in Policies
    of the Arts of the Disabled"
    Korea
    14:00 ~ 14:20 Presenter 3 Wonyoung Kim Writer, Dancer "Finding Uniquencess and Moving Toward Universality" Korea
    14:20 ~ 15:10 Free
    Discussion
    Hai Cohen Manager, Choreographer, Vertigo Power of Balance Israel
    Suzanne Cowan Artistic Director, Choreographer, Touch Compass New Zealand
    Hyunghee Kim Chair of the board,
    Korea Disability Arts & Culture Center
    Korea
    Jungsik Roh Professor, Young In University Dance Department Korea
    Sunmyeong Oh Deputy Director of Theater Management,
    Korea Arts & Culture Education Service
    Korea
    15:10 ~ 15:15 Closing
    Address
    Youngmook Choi Director of KIADA Organizing Committee Korea
    Moderator Miyoung Kim
    Chief Editor, Tanzwith
    13:00 ~ 13:20
    Opening Address
    Youngmook Choi Director of KIADA Organizing Committee
    Korea
    Welcome Address
    Samjin Kim Artistic Director of KIADA
    Korea
    13:20 ~ 13:40
    Presenter 1
    Emmaly Wiederholt Art Journalist, Founder of "Stance on Dance"
    USA
    Silva Laukkanen Director of integrated dance and choreographer at Art Spark Texas "Disabillity and Main Current of Dance; Breadth of Access"
    USA
    13:40 ~ 14:00
    Presenter 2
    Jungmin Shim Dance and Historical Critic "The Discourse on the Enhancement of Artistic Values of the Disabled Dance - On the Basis of the Transformation in Policies of the Arts of the Disabled"
    Korea
    14:00 ~ 14:20
    Presenter 3
    Wonyoung Kim Writer, Dancer "Finding Uniquencess and Moving Toward Universality"
    Korea
    14:20 ~ 15:10
    Free Discussion
    Hai Cohen Manager, Choreographer, Vertigo Power of Balance
    Israel
    Suzanne Cowan Artistic Director, Choreographer, Touch Compass
    New Zealand
    Hyunghee Kim Chair of the board, Korea Disability Arts & Culture Center
    Korea
    Jungsik Roh Professor, Young In University Dance Department
    Korea
    Sunmyeong Oh Deputy Director of Theater Management, Korea Arts & Culture Education Service
    Korea
    15:10 ~ 15:15
    Closing Address
    Youngmook Choi Director of KIADA Organizing Committee
    Korea
    Theme
    Macroscopic Perspective and Microscopic Viewpoint
    Participant

    Presenter

    · Emmaly Wiederholt

    · Silva Laukkanen

    · Jungmin Shim

    · Wonyoung Kim

    Panel

    · Hai Cohen

    · Suzanne Cowan

    · Hyunghee Kim

    · Jungsik Roh

    · Sunmyeong Oh

    Application Period
    Sep. 23, 2022 (Fri) ~ Oct. 24, 2022 (Mon) *Accepted in the order of application
    Announcement
    Oct. 26, 2022 (Wed) *Accepted application
    will be informed individually
    Date and Time
    Oct. 31, 2022 (Mon), 13:00 ~ 15:00
    Location
    #207, KINTEX Exhibition Center 1, IIsan
    Fill out the application form
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